How To Mix Tracks For TV
Have you ever wondered how to mix tracks so they work specifically for TV? Is this something you think about when you're mixing tracks for licensing opportunities? You should be!
There are a few considerations that are specific to mixing tracks for television that you should be aware of, if you're trying to land licensing deals. If you're not aware of these considerations, you could be missing out on licensing opportunities and not even know why.
In the following video clip, my producer, Gary Gray, shares his approach to mixing tracks specifically for television, using a technique that Gary discovered during the last several years of mixing tracks for TV projects.
There are a few considerations that are specific to mixing tracks for television that you should be aware of, if you're trying to land licensing deals. If you're not aware of these considerations, you could be missing out on licensing opportunities and not even know why.
In the following video clip, my producer, Gary Gray, shares his approach to mixing tracks specifically for television, using a technique that Gary discovered during the last several years of mixing tracks for TV projects.
The three elements of writing music for licensing
When writing music for licensing, there are three primary elements you should be thinking about and taking into consideration, in order to maximize the odds of your tracks getting licensed. Learn what they are in the following video:
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